The Mute Gods- Do Nothing Till You Hear From Me
FFO- Progressive Rock, Alternative Rock, Pop Rock
The Mute Gods is the brainchild of Nick Beggs (contributor to the likes of Steven Wilson, Lonely Robot, Steve Hackett and so much more) on Chapman Stick, Vocals, Guitar and Bass. Also featured on this album is Marco Minnemann on drums and Roger King doing production and playing Keys. The album is an extremely catchy brand of prog rock layered in pop and alternative rock. Imagine Steven Wilson doing Hand. Cannot. Erase. with 70's prog instead of having electronics and BOOM! Let's dive right into this amazing album.
The album starts with the title track, Do Nothing Till You Hear From Me. While having the awesome 70's prog twinge, the chorus is unbelievably catchy. There is a good reason why this was, indeed the first single from the album. Praying To A Mute God starts quite mid-tempo and keeps that similar speed much like the former track, but expands upon it. Much more diversity and fills happen throughout the song giving a little bit or room to show off on each instrument. The second half of the song is a great example of that. Nightschool for Idiots is much more mellow and piano driven. A great, almost relaxing song, until you hear the lyrics. It definitely has the Steven Wilson cynical lyrical charm to it. Feed The Troll is the second single off the album. It starts off bass driven and an electronic movement before kicking into a darker, almost King Crimson style riff. The song is one of the heavier moments on the entire album as well. Very dark and brooding, but so enjoyable. Your Dark Ideas follows next and is a bit more uptempo. It almost sounds like a track Steven Wilson penned around the time of In Absentia or Deadwing. A very killer track. In the Crosshairs is the shortest track on the album. Being that it is instrumental, it showcases every instrument in the band in a great way. A great change of pace in the album. Strange Relationship starts with a great 8 bar, almost Opeth like, swing beat provided by Minnemann. The song is quite mellow in comparison to other songs on the album and features quite a bit of keyboard changes until the song. The fading piano notes of the last track segue way into Swimming Horses. The song begins more atmospheric before kicking into a mellotron style riff mixed with guitar, then finally kicking into a dark, brooding song. It features song Middle-Eastern style riffing and very bass and chapman stick driven. The second half of the song is where things start to pick up in tempo before progressing back to the dark mood it left before. Father Daughter closes out the album and features a Porcupine Tree feel and more of the electronic faded drums that Steven Wilson is famous for in so many moments before kicking in. The album ends in a very electronic way as it dramatically stops, leaving you wanting more.
All in all, The Mute Gods have provided an absolutely phenomenal debut album. Combining all the best parts of prog rock mixed with a great nod to the likes of Steven Wilson and Steve Hackett throughout. The lyrical content is very much intended to be a way of living your life to the fullest and not giving into the world we currently live. Explore, Create and most importantly, try to make the world a better place for those that will follow us in this world. It is a great sentiment!
The Mute Gods- Do Nothing Till You Hear From Me available January 22nd via InsideOut Records